During my long career teaching English at Newton South, I had a reputation for assigning lots of reading and writing. No accident: it always seemed to me that whatever else I might do, students should read lots of books and write lots of papers. What better publicity could a school hope for than for parents to watch their children poring over a classic or revising a composition or story? 

Still, the challenges to this approach were many. Even before the arrival of the millennium, too many students read only books assigned in class. Social media and entertainment drew their attention instead. Predictably, many students had trouble reading standard texts because their vocabulary was poor from that lack of reading. To compensate, some turned first to Monarch Notes and Cliff Notes and later to Spark Notes and who knows what else online…rather than read the book itself. The Web provided sample essays on almost any text, often for free. Online tutors even offered to write the students’ papers for a fee. My trust in the authenticity of students’ work declined.

Eventually, I adjusted to this reality. First of all, to ensure that students actually read books, I gave spot quizzes frequently and unpredictably. The quizzes  consisted largely of passages drawn from the book, not details of the plot easily grasped by reviewing online plot summaries.  My goal: to get students to lay their eyes on the page and to read carefully. Some students conceded that they had never read any book more than cursorily  before my class. Not surprisingly, most felt that they soon understood texts much better, and each subsequent reading seemed more rich with meaning. Instead of just a few students participating in class discussion, most students now had something to say. These discussions, needless to say, made everyone in class even better prepared for the next reading assignment. Suddenly, a classic now seemed less daunting to read and much easier to love. Most years, for example, my juniors voted Crime and Punishment, a dense, complex novel, as their favorite book of the course! Credit not only the genius of Dostoevsky but also my students’ patient, skillful reading. 

The problems in my students’ writing also sprang in part from their limited experience with books. When you don’t read texts, especially those of quality, then your vocabulary remains rather limited. Reading also teaches us subliminally how to write; we grasp how to formulate sentences and phrases by seeing others do it. In my view, students also hadn’t written often enough when younger. For example, text messages are no substitute for thoughtful letters to friends and family, a traditional way for anyone to develop a literary voice.

Clearly, my students required explicit instruction on the mechanics and techniques of writing, and they needed to write more often. Here is what I did.  First, my writing assignments included not only commentaries on books but also personal essays, short fiction, and even opinion pieces. Writing formulaic, five-paragraph essays hardly inspires students to love writing.  I also employed The Lively Art of Writing,The Elements of Style, and Warriner’s English Grammar and Composition to teach the rules and expand students’ sense of style. 

Commentaries on literature mostly began as open-book classroom assignments, the topic unannounced, during a long block. Consequently, I could read my students’ actual thoughts, not those transcribed from the Web. Usually, this first draft got one grade, after which students took their pieces home to revise and then submit for a second grade. Both grades counted equally. In the margin of these revised pieces, I placed a check every time I encountered a mechanical error on that line: usage, spelling, and punctuation. Students first tried to identify and correct problems on their own before scheduling a writer’s conference with me. In this way I could focus on each student’s particular stylistic challenges in addition to discussing their viewpoints in person. My colleagues were amazed at the number of hours I spent outside of class in conference with my students. Though tiring, this collaboration was probably the most important work I did as a teacher. 

Sadly, I must concede that no matter how masterful the teacher, it would be challenging if not impossible to run an online English class in this manner…at least for a person my age! I thrived on the face-to-face interaction, the lively discussion, all the elements rendered more difficult in the era of the Coronavirus. It will be fascinating to witness the evolution of learning in the Newton schools now that Covid 19 seems here to stay for months if not years. Somehow, though, I hope that reading and writing remain the cornerstones of English classes.